One of the most rewarding challenges in coloured pencil work is capturing the softness and texture of long fur, especially on a white dog. For this commission, I leaned heavily into subtractive techniques, using a micro eraser and ceramic blade to lift and carve out delicate strands of hair. These tools allowed me to create subtle highlights and fine wisps that would be nearly impossible to achieve with layering alone. The result, a portrait that feels touchably soft.